Being Canon, it was also an easy pairing for the accompanying stills shot on my 5D mark III. If the “wings” are ontop of the focusing rectangle, the focus is to far, if they are below, the focus is too near. The C300 Mark II is offered with either a standard EF or PL lens mount, but it can be modified later by authorized Canon Cinema EOS service centers. For handheld operating with the camera stripped down, I kept my right hand on the detachable handle grip and my left hand on the bottom of the camera, with my fingers gripping the small shelf-like overhang underneath the camera. Important industry standards like BT.2020, BT.709, different Wide-Gamut setups and Canon Log 2 gamma can be used for HDR video without a doubt. For example the Transcent CFast v2.0 256GB is at a good pricepoint and working great with the C300 Mark II as long as it is CFast Version 2 and has a minimum writing speed of 600mbit per second. Dual-pixel CMOS AF is the single shooter’s secret weapon. Audio can be recorded as PCM 24bit or 16bit with a sampling rate of 48KHz to 4 mono channels. The newest member of the Cinema EOS line is now a true grown up, professional cinema camera, a budget camera if you compare features and price to the higher end competitors. A nice addition is the Proxy Video recording to the SD Card slot. The 4K resolution is achieved via special lattice transform fill-in-type interpolation which helps produce a sharp 4K image even dough the sensor has “only” 4K resolution. The CFast Cards are still pretty expensive because it uses a new SATA high-speed interface and memory technology which delivers more than 600MByte/s transfer speed. These settings would match an Arri Alexa pretty close. The camera’s simplicity and compact size make it one of the best cameras out there for indie filmmakers — but it packs enough of a punch for studio filmmakers as well. The motion is quite nice and fluid, but with the downside of a bit softer image. With a cinema-style camera like the new Canon C300 MkII Canon want’s to direct this camera directly to cinema and high-end corporate productions to compete against manufacturers like Arri, but with much lower cost. 1/3″ mounting points and one 3/8″ mounting point which allow you to attach accessories on many positions to the very stirdy top handle. It provides over 5.4 million dots for clear 720p viewing. Another factor is that at 100-120fps the camera records in a 2:1 crop mode, meaning it takes the inner portion of the sensor, not the entire sensor. Who is it for? Did you enjoy this article? In this video by Kenny at Stray Angel Films, we get his recommendations into what makes the C100 mk II, the C200 and the C300 mk II each unique and highlights when and how they could be used best. Many are willing to put down the investment as they anticipate superb image quality in … MXF compatibility has improved, and the files now work with pretty much all of the professional NLE systems, as well as with high-end network systems used by production studios. Users can also choose from a wide range of additional optional accessories that allow them to configure the EOS C300 Mark … But the quality is in no ways “proxy-bad”, the 24mbit 4:2:0 LongGOP MXF has at least Canon C100 MkII quality. And the newly developed ACES workflow assures a high quality standard throughout the whole production from filming to transfer, post-pro and mastering. Available LUTs are: DCI, BT.2020 or BT.709. The concept is to keep the form factor but add all the things need for professional productions like a better codec, higher resolutions better color science in a very reliable package. The viewfinder is a 1.77 Megapixel Color OLED EVF With Adjustable 60° Tilt Angle with a eye sensor that enables the display and helps lifetime for the OLED display. Noise behaviour is pretty nice aside from the Canon Log 2 noise behaviour described below. When nothing is plugged into the 3.5mm Audio-in jack, proxy audio is always recorded from the internal mike in the camera body to channel 3 and 4. The Canon C300 Mark II is just simply a high quality workhorse and the best Cinema Camera Canon ever created. Physical Characteristics of C300 Mark II. One criticism of the C300 Mark II has been its viewfinder, which sits on top in the middle of the camera. The older Canon Log Gamma has been greatly improoved. In terms of night, or low-light footage, some noise was visible compared to tests I’ve shot with the Sony FS7, but I’ve always found that noise with Canon Log has a cinematic look to it—more like film grain. This is the newest member of the Canon Cinema EOS line and while the older C300 was the first in this category, now the C300 Mark II has grown up to be a real cinema camera. BTW, the material was treated in Adobe Speedgrade CC 2015. Buttons have nice tactile feedback but are silent when pressed which is also a nice improvement from the older C300. And one of the most important ones is usability and handling of the camera. With 2K/HD at 2048×1080 or 1920×1080 the camera is able to record 12-bit 4:4:4 which is perfectly for effects shoots like chroma keying. CFast cards are already beeing used with the Arri Amira or Alexa Mini and the Canon XC10 among others. Target Applications: Independent filmmakers and documentarians looking for 4K recording and a run-and-gun form factor. Stop Motion or Animation and an Intervall Recording Mode for Timelapse Recording with intervals ranging from 1 second to 10 minutes. With these three freely selectable main categories you can combine the look to 192 different look combinations, alone for the main settings, not counting the detailed custom picture style configuration parameters the operator has available within the Other Settings menu category. There are three main categories of settings for image style settings now. Originally introduced on the 70D DSLR, Canon also employed the technology on the C100 Mark II last year and now the C300 Mark II, where it hits a focus range of 80% of the horizontal and vertical area of the image. The camera’s mount is a EF-Mount but can be interchanged to the EF-Cine-Lock-Mount and to the PL-Mount but only via a Certified Canon Service Provider. But I have not tested audio in great detail. We find out a bit later. Doc shooters working in super-bright exteriors are pretty much covered and won’t have to carry extra ND filters for each individual lens. Pros: Modular design. Many shooters will be confused as to which offers the better value proposition. Menues are mostly the same, with newly added features and a changed Picture Styles menu which does not have a dedicated button anymore (I used button #10 – Push Button Iris, to act as Custom Picture Style Menu button). The C300 Mark II cannot load custom LUTs. While focusing manually two “wings” on top or below the focusing area rotating towards until they align, when in focus. The Canon C300 Mark II is also a compact camera like the C300 Mark I. REVIEW: Canon C300 MkII Posted on Jan 19, 2016 In 1947, the Seikikögaku Kenkyüsho Precision Optical Industry Co. Ltd. changed its name to Canon Camera Co., Inc. – named after the … We’ve tested a punch of Canon and Sigma photo lenses with this kind of Autofocus and they all worked great. Buying guide comparison of the new Canon EOS C70 vs C300 Mark III vs C500 Mark II models For example, he recommends the C100 mk II … The camera is power hungry and that is also reflected by it’s bigger batteries. As a person who used Canon's cinema cameras like the C100 and C300 and the F7 extensively I subjectively think Canon has some advantages in the look of its footage like the skin … Another factor is that at 100-120fps the camera records in a 2:1 crop mode, meaning it takes the inner portion of the sensor, not the entire sensor. This is by far not a complete review, it is my personal opinion how this camera holds up to my nitpicking image quality levels and in all the aspects mentioned in this review. This is the third we’ve done in this series. The display is bright and sharp and very nice to focus and is customizable like the LCD monitor. Exercising our ever-growing stash of aging hard disk drives is necessary to ensure accessibility. More about Custom Picture Settings in chapter Image Quality and Custum Picture Style Settings. Supports Canon lens system. What’s Cool: Compact form factor; Canon Log gamma options; built-in ND filtering; excellent dual-pixel CMOS AF. It is 7.5 inches x 12.1 x12.8 inches with the grip, handle and monitor. Excellent high ISO video quality. Ideally, I would replace both with a 1D-X mark III as they both shoot full-frame (5.9K on C500 II … On the right front edge is the SDCard slot which is used with Proxy recording or storing additional Picture Profiles, above it is a 3.5mm line-in jack for two additional audio channels and on the back is a 3.5mm headphone jack for monitoring audio. Other new specs and features on the Mark II include bit rates up to 410 Mbps, an improved dual-pixel CMOS auto focus, simultaneous 4K and HD proxy recording and 2K/UHD frame rates up to 120 fps. The Canon C300 Mark II is here and comes with a lot of high expectations by customers and a hefty price tag of $16,000. The edges of key are perfect without any artifacts with a good greenscreen or bluescreen, although chroma-keying is working wonderfull at 4K 10-bit too and even more detailed with only minimal artifacting to the key. Every great movie must end, and so StudioDaily has ridden off into the sunset. This feature works really well, depending on the precision of the autofocus system of the lens. But let’s get back to the C300 Mark III, fast forward 9 years to the presence – first off, the Canon C300 Mark III feels very much alike the full-frame C500 Mark II (watch our first hands-on here and read our … The body is longer at the rear and a bit wider, but even more stirdy than it’s predecessor because of a newly designed top handle, but with the cost of flexibility, because it’s mounted to the new cheese plate with two 1/4″ allen wrench screws and the cheese plate is mounted with three 1/4″ allen screws to the hot shoe and the body. The image processing seems to do a good job when looking at the images and sharpness is close to 2000 lines per picture height with the tested Sigma 18-35mm f1.8. Solid So stay tuned, there is a lot to come in the next few weeks. On the back are two CFast v2.0 Card slots which can also be used for simultaneous dual slot or relay recording. The camera is easy to use and very intuitiv. Designed for itinerant journalists, filmmakers, news, and corporate video creators, LumaFusion offers a robust editing environment with a familiar... About Us Dual Pixel Touch AF and everything. The Canon C300 Mk II feels very solid and is cased in a sturdy Magnesium chassis. Canon Log 2 dynamic range has about 2/3 stops more latitude in the highlights and 1/3 stop more in the shadows. In this case the look I was going is a Eastman 5247 1980’s filmstock look, which just adds even more contrast, a bit warmer colors and a little more magenta. Like the older C300, the Mark II has 2 jog dial wheels on the left side. So prepare to double the focal length of your lens when shooting highspeed at 100 fps or above and a tad softer image. Can it hold it’s quality level? The Canon C300 Mark II has been around for a while, and even though it is a camera that is often under-appreciated and misunderstood. 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