O Wind, It’s as if all of nature is borne along by the west wind. Perhaps more than anything else, Shelley wanted his message of reform and revolution spread, and the wind becomes the trope … PMLA 51, 4 (Dec. 1936) pp 1069-79 [free at jstor, click "Preview" or "Read Online"]. The ashes may be dead and burnt, but by moving they often burst into new life, and new sparks emerge from the ashes. ‘Ode to the West Wind’ is one of the best-known and best-loved poems by Percy Bysshe Shelley (1792-1822). Shelley concludes ‘Ode to the West Wind’ by entreating the wind to scatter the poet’s ‘dead thoughts’ (ideas he’s abandoned) across the universe. Thine azure sister of the Spring shall blow. (One wonders whether Gerard Manley Hopkins was recalling ‘Ode to the West Wind’ when he wrote the closing lines of his poem ‘The Windhover’.). Shelley concludes this second section by likening the sound of the west wind to a funeral song or ‘dirge’, mourning the death of the year (as it’s autumn and the leaves are falling). We then get a delicious oxymoron, when Shelley refers to the ‘tumult of [the wind’s] harmonies’. If I were a dead leaf thou mightest bear; I were as in my boyhood, and could be. Of the horizon to the zenith’s height, Ode to the West Wind So, here goes…. The impulse of thy strength, only less free Will take from both a deep, autumnal tone, Shelly is considered as a revolutionary poet which can be clearly seen in his poem “Ode to the West Wind”. There’s a political subtext here: Shelley was calling for revolution in 1819, as his poem ‘England in 1819’ suggested. “If you think my winter is too cold, you don’t deserve my spring.” The leaves are various colours, including yellow, black, and red. A wave to pant beneath thy power, and share. As then, when to outstrip thy skiey speed Be thou, Spirit fierce, Shelley was a great imagist and the images he picked were not of ordinary types. I fall upon the thorns of life! The sea-blooms and the oozy woods which wear Shelley calls upon the west wind to be his ‘Spirit’, to make them both as one: wild, impetuous, undaunted. Shelley continues to address the west wind in this second section, saying that the wind bears the clouds along, much as it moves the ‘decaying leaves’ from the trees; as if to spell out this link, Shelley speaks of the ‘tangled boughs of Heaven and Ocean’, suggesting that the skies and the seas have ‘boughs’ like a tree. This ode is composed by Percy Bysshe Shelly in 1819 and it was published in 1820 by Charles as part of the collection, Prometheus Unbound. Shelley points out that the forest is already being played like a lyre, since the west wind makes a pleasing musical sound as it moves through the trees. Short Questions on Ode to the West Wind *Please justify the title of the poem “Ode to the West Wind”. Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, … What does Shelley mean by ‘I would ne’er have striven / As thus with thee in prayer in my sore need’? closing lines of his poem ‘The Windhover’. One too like thee: tameless, and swift, and proud. ‘Ode to the West Wind’ was written in 1819 during a turbulent time in English history: the Peterloo Massacre on 16 August 1819, which Shelley also wrote about in his poem ‘The Mask of Anarchy’, deeply affected the poet. The wind is a very important part of this poem, but one must look closer to realize what the wind actually symbolizes.The speaker wishes for the wind to come in and comfort him in lines 52 54. The tumult of thy mighty harmonies. He was a leading light of the Romantic movement and a lifelong atheist. He comes with western winds, with evening's wandering airs. there are spread The power of the west wind is also suggested through the idea that the Atlantic ocean, possessed of ‘level powers’, creates ‘chasms’ and gaps for the wind to echo within. What if my leaves are falling like its own! Pestilence-stricken multitudes: Shelley begins ‘Ode to the West Wind’ by addressing this wind which blows away the falling autumn leaves as they drop from the trees. It is a quintessential Romantic poem. 43 If I were a dead leaf thou mightest bear; 44 If I were a swift cloud to fly with thee; 45 A wave to … See in text (Ode to the West Wind) This reference to seeds waiting for spring to awaken alludes to the idea of a rebellion lying in wait to rise up. For it comes from the west lands, the old brown hills, And April's in the West wind, and daffodils. Percy Bysshe Shelley - 1792-1822. Shelly, throughout the poem, appeals to the west wind to destroy everything that is old and defunct and plant new, democratic and liberal norms and ideals in the English society. Ode to the West Wind Quotes | Shmoop JavaScript seems to be disabled in your browser. They are sometimes known as the Bacchae (as in a famous play by Euripides), after Bacchus, the Latin name for the Greek Dionysus. O wild West Wind, thou breath of Autumn's being, (A) Thou, from whose unseen presence the leaves dead (B) Are driven, like ghosts from an enchanter fleeing, (A) Yellow, and black, and pale, and hectic red, (B) Pestilence–stricken multitudes: O thou, (C) Who chariotest to their dark wintry bed (B) The wingèd seeds, where they lie cold and low, (C) Each like a corpse within its grave, until (D) Thine … Shelley considers the powerful rain, hail, and fire (lightning) that will ‘burst’ from these vapours when the storm erupts. Of some fierce Maenad, even from the dim verge The Oxford Book of English Verse: 1250–1900. The poet has a deep, mystic appreciation for nature, as inthe poem “To Wordsworth” (1816), and thisintense connection with t… I bleed! The title of the poem is fully justified because the poem is an impassioned address to the autumnal west wind. Under the skilful and subtler development of Shelley, the familiar style of Calder6n's The comrade of thy wanderings over Heaven, As things stand, he is not flying up: he is falling, and falling ‘upon the thorns of life’. The night sky will be like the dome of a large burial ground or sepulchre, with all of the vapours from the clouds forming the vaulting (ceiling). Percy Bysshe Shelley. The sea blooms and the moist woods also know the voice of the West Wind and tremble with fear and are uprooted. Oh, lift me as a wave, a leaf, a cloud! Vaulted with all thy congregated might. Then the poet describes the clouds of a storm being driven forward by the West Wind. It’s as if the leaves have been infected with a pestilence or plague, that makes them drop en masse. O wild West Wind, thou breath of Autumn's being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: 0 thou, Who chariotest to their dark wintry bed. Quivering within the wave’s intenser day. Narrator, Ode to the West Wind "Ode to the West Wind" is often interpreted as a poem expressing Shelley's desire for his poetry to effect positive change in the world around him. Shelley begins the fourth section of his ode to the west wind by thinking about how wonderful it would be to be free among nature, and to be borne along by the sheer power and motion of the west wind, much like one of those leaves, or clouds, or ocean waves. He later wrote tragedies such as The Cenci (1818), lyrical poems such as 'Ode to the West Wind' (1819) and lyric dramas such as Prometheus Unbound (1820). A heavy weight of hours has chain’d and bow’d "Hear, oh, hear!" Most importantly the poem is brimming with emotion, ranging from adulation, worship, desperate pleading, sadness, and humbleness. Once again, Shelley brings the attention back to the sound of the west wind as it heralds the coming of the storm. All overgrown with azure moss and flowers Keats-Shelley Journal 20 (1971) pp … Destroyer and preserver; hear, oh hear! “Ode to the West Wind. The Maenads’ name literally translates as ‘raving ones’ because they would drink and dance in a frenzy. Make me thy lyre, even as the forest is: Sweet though in sadness. Scarce seem’d a vision; As is common in Romanticism, Shelley thinks back to his childhood, when the world seemed full of freedom and boundless possibility, and it almost seemed possible that Shelley could outrun the wild west wind itself. Shelley implores the West Wind to make him its "lyre" (57), that is, its wind-harp. O wild West Wind, thou breath of Autumn's being. The West Wind blows over the Atlantic, at a high speed and in fury the high rising waves split into deep cleft, give way to the mighty West Wind. Percy Shelley: Poems Quotes and Analysis “One wandering thought pollutes the day;” A person's consciousness, conscience, and ability to think abstractly can be steered in wasteful directions easily, distracting a person from other thoughts and productive actions. This page was last edited on 26 January 2020, at 22:39. As winds come whispering lightly from the West. If Winter comes, can Spring be far behind? (Driving sweet buds like flocks to feed in air) Shelley says that the west wind wakened the Mediterranean sea from its summery slumbers. The poem is 'Ode to the West Wind,' and it's about his hope that his words will be carried, as if by the wind (hence the title), to those who need to hear them. Introduction “Ode to the West Wind” is an ode, written by Percy Bysshe Shelley in 1819 near Florescent, Italy.It was originally published in 1820 by Edmund Ollier and Charles in London. the poet begs the "Wild Spirit" of the wind, the "dirge/ Of the dying year." Who chariotest to their dark wintry bed, The winged seeds, where they lie cold and low, Lull’d by the coil of his crystalline streams. O wild West Wind, thou breath of Autumn's being, Thou, from whose unseen presence the leaves dead As an adult, he complains, he is too burdened by life, by the “heavy weight of hours,” to share naturally in the freedom and power of the Wind. This line may refer to the death of the poet’s son, William, earlier in the year the poem was written. Shelley would be completely free; the only thing that would be freer is the ‘uncontrollable’ west wind itself. The simile draws attention to the raging, wild nature of the west wind, which heralds the approach of the wild storm. In "Ode to the West Wind," which image best expresses the speaker's hopes for the West Wind? For whose path the Atlantic’s level powers, Cleave themselves into chasms, while far below His images are mostly kinaesthetic in nature. Thou on whose stream, mid the steep sky’s commotion, 1919. Shelley’s use of imagery the poem “Ode to the West Wind”. Like wither’d leaves to quicken a new birth! Arthur Quiller-Couch, ed. The sapless foliage of the ocean, know. And tremble and despoil themselves: oh hear! The locks of the approaching storm. Now Shelley talks about the clouds borne by the west wind as being like locks of har on the head of ‘some fierce Maenad’: the Maenads were a group of women who followed the god Dionysus in classical myth. This is where things get a little harder to pick apart and analyse. The whole idea here is freedom in that the wind is free and he wishes that the masses were as well, also wishing he was young and could what? – Percy Bysshe Shelley from “Ode to the West Wind” READ MORE: 50 Hilarious Waterboy Quotes That Will Remind You That “You Can Do It” 30.) Shelley sees his poem as a religious incantation or chant, which will magically make the wind scatter his thoughts like leaves – or, indeed, like ashes and sparks in a fireplace. Than thou, O uncontrollable! This poem is written to make the people of the society realize that they are shackled in … O wild West Wind, thou breath of Autumn’s being, John Masefield, The West Wind. Shelley is saying that if he could recapture that boyhood freedom, he would never have to pray to the west wind in times of need. Shelley begins ‘Ode to the West Wind’ by addressing this wind which blows away the falling autumn leaves as they drop from the trees. In the "Ode to The West Wind" Shelley is seen as a rebel and he wants revolution. 'Ode to the West Wind,'" ELH, 15 (1948), 219-26. The whole poem is mainly about the west wind and its forces. Wild Spirit, which art moving everywhere; Shelley likens himself to the forest in that his ‘leaves are falling’: he is withering away, but also growing older (mind you, he was only in his mid-twenties when he wrote ‘Ode to the West Wind’!). Shelley entreats the west wind to play him, as a man would play a lyre (a string instrument not dissimilar to a harp, and the origin, incidentally, of the word lyric to describe lyric poetry and song lyrics: there’s something slightly ‘meta’ about a nature poet asking nature to play him like an instrument). 3. I fall upon the thorns of life! Black rain, and fire, and hail will burst: oh hear! Thou, from whose unseen presence the leaves dead As things stand, he can only pray to the west wind to lift him as it does a wave, a leaf, and a cloud. The first two stanzas of Shelley’s To a Skylark are supposed to look like this (Ignore the underline markings; I had to put them in because the Amazon software left justifies everything): ___Hail to thee, blithe spirit! Be through my lips to unawaken’d earth. But what does it mean? If even Thou ." "Ode to the West Wind" is heavy with descriptions, allegories, stunning imagery and hidden themes which reveal Shelley’s close observation and life long commitment to the subject. It's a warm wind, the west wind, full of birds' cries; I never hear the west wind but tears are in my eyes. He would be free already. So sweet, the sense faints picturing them! Shelley concludes this opening section by calling the west wind a ‘Wild Spirit’ (recalling, perhaps, that the word spirit is derived from the Latin meaning ‘breath’, suggesting the wind) and branding it both a ‘destroyer’ and a ‘preserver’: a destroyer because it helps to bring the leaves down from the trees, but a preserver because it helps to disseminate the seeds from the plants and trees, ensuring they are find their way to the ground so they will grow in the spring. Or, Write a note on Shelley’s use of imagery with special reference to “Ode to the West Wind.” Ans. Loose clouds like earth’s decaying leaves are shed, It's a warm wind, the west wind, full of birds' cries; The west wind is greater than those who live there. He writes of wishing to "scatter... sparks" that will … My spirit! On the blue surface of thine aëry surge, Shelley’s celebrated poem “Ode to the West Wind” is a wonderful piece of romantic poetry. Oh, lift me as a wave, a leaf, a cloud! Thou who didst waken from his summer dreams ‘Harmonious tumult’ is somewhat paradoxical, but not for Shelley, who welcomes the way the wind wildly shakes everything up. O thou, Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, I. O wild West Wind, thou breath of Autumn's being, Thou, from whose unseen presence the leaves dead. Quote by Percy Bysshe Shelley: “Ode to the West Wind I O wild West Wind, t...”. For Shelley, a living entity or spirit, not a mechanism, drives the world. Shelley is, of course, using the idea of falling on the thorns of life as a metaphor for his emotional and psychological torment. Like the bright hair uplifted from the head. The sense of this “responsibility” also adds urgency to Shelley’s poetic product, and makes the widespread reading of the poems a central and explicit goal: thus Shelley’s speaker makes declarations such as those in “Ode to the West Wind” and “To a Skylark”, expressing his desire that his words will spread amongst humanity. His early poems include Queen Mab (1813). … As thus with thee in prayer in my sore need. If I were a swift cloud to fly with thee; And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Shelley appended a note to the "Ode to the West Wind" when it appeared in the Prometheus Unbound volume in 1820: "This poem was conceived and chiefly written in a wood that skirts the Arno, near Florence, and on a day when that tempestuous wind, whose temperature is at once mild and animating, was collecting the vapours which pour down the autumnal rains. The poet prays to the Wind, “lift me as a wave, a leaf, a cloud!”. In the famous closing words of the poem, ‘If Winter comes, can Spring be far behind?’, Shelley returns to the earlier imagery of the poem involving the west wind scattering the dead leaves to pave the way for the new trees next spring; the poem ends on a resounding note of hope for what the future could bring – for Shelley, nature, and for the political world. Personal and political are thus closely linked in ‘Ode to the West Wind’, which constantly draws attention to the aural potential of the wind: it cannot be seen (though its effects certainly can), but it can be heard, much as the poet’s words could be word, announcing and calling for political reform. Q.4. Much as scattering of the withered dead leaves allows the seeds of next year’s trees to take root and grow, so Shelley believes it is only by having his old ideas blown away that he can dream of new ones, and with it, a new world, ‘a new birth’. "Ode to the West Wind" is an ode, written by Percy Bysshe Shelley in 1819 in Cascine wood near Florence, Italy. The blue Mediterranean, where he lay, In other words, he is suffering, in pain, tormented. Her clarion o’er the dreaming earth, and fill It was originally published in 1820 by Charles in London as part of the collection Prometheus Unbound, A Lyrical Drama in Four Acts, With Other Poems. The trumpet of a prophecy! . In Shelley’s poetry, the figure of the poet (and, to someextent, the figure of Shelley himself) is not simply a talentedentertainer or even a perceptive moralist but a grand, tragic, prophetichero. Drive my dead thoughts over the universe The poet recalls, he was once like the West Wind tameless, swift and proud. This poem, written in iambic pentameter, begins with three stanzas describing the wind's effects upon earth, air and ocean. The first two stanzas are mere praise for the wind’s power, covered in simile and allusion to all that which the wind has the power to do: “loosen,” “spread,” “shed,” and “burst.” In the fourth and fifth stanzas, the speaker enters into the poem, seeking (hoping) for equal treatment along with all other objects in nature, at least on the productive side. With living hues and odours plain and hill: Shelley continues by describing how the west wind transports (like a charioteer driving somebody) the seeds from the flowers, taking them to their ‘wintry bed’. "Ode to the West Wind" is a revolutionary poem in expressing Shelley's longing to spread his radical ideas far and wide. He desires a social change and the West Wind is to his symbol of change. ___ That from heaven or near it. Will be the dome of a vast sepulchre, Comment on Shelley’s use of images/ imagery in his poem “Ode to the West Wind”. The Electronic Text Corpus of Sumerian Literature, Hoyt's New Cyclopedia Of Practical Quotations, https://en.wikiquote.org/w/index.php?title=West_wind&oldid=2734510, Creative Commons Attribution-ShareAlike License. Its closing words are well-known and often quoted, but how does the rest of the poem build towards them? Ashes and sparks, my words among mankind! 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